The article dwells on the features of the use of the artistic figure of reminiscence (talmekh) in the work of the famous poet of the second half of the 10th - early 11th centuries, Kisai Marvazi. It is noted that in the poet’s work the figure of talmekh ranks second in frequency of use after the figure of comparison. The figure of talmekh in the works of Kisai can be classified as follows: a) religious talmekhs, pointing to the life conflicts of Ali ibn Abu Talib, to the battle of Karbala (October 12, 680); b) references to the names of famous lovers from works of Arabic literature, including Leili, Yusuf and Zuleikha, Sa'd and Asmo, Urwa and Afro; c) talmekhs, referring to Iranian pre-Islamic events and heroes. Due to the fact that the poet was an adherent of the Shiite branch of Islam and its active propagandist, the main body of talmekhs in Kisai’s work consists of religious talmekhs. It is emphasized that most often the poet uses the figure of talmeh together with the figures of tashbeh (comparison), mubolaga (hyperbole), saj and tashhis (personification).
creative work of Kisai Marvazi, artistic figure of speech, reminiscence (talmekh), comparison, hyperbole, personification
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