The article dwells on elicitation of the features of shakhroshub in Sayido Nasafi’s creation. Determining quantum, thematic and stylistic peculiarities of this poetical form the author marks that the majority of Sayido’s shakhroshubs is written in the term of separate beyts-mufzadots. The conclusion is made that Sayido’s shakhroshubs are variegated in thematics with laid down interesting social-historic and ethnographic information; into the bargain, they finely demonstrate poet’s mastership in usage of artistic means of expressiveness, allegories, allegorical periphrases, humour, hyperbole and etc. inclusive.
shakhroshub, artisanship, thematics, genre, style, allegories, allegorical periphrasis, humour, hyperbole
1. Maoni Ahmad Yulchin. Shakhroshub in Persian Poetry. – Tehran: The Great Amir, 1347hijra. – 176 pp.
2. Malehoi Samarkandi. Tezkize “Musariz-ul-Ashob”. - Dushanbe: Union, 2006. – 689 pp.
3. Mirzoev A. Sayido and Makomi in the History of Tajik Literature. - Stalinabad, 1947. – 199 pp.
4. Mirzoev A. Shakhroshub and Sayido’s Shakhroshub// Sharki Surkh (The Red Orient), 1948, №2. –pp. 40 – 49.
5. Sadiev S. The Tajik Literature of the XVII-th Century. - Dushanbe, 1985. – 268 pp.
6. The Mad Man of Sayido Nasafi. Preparation by Hasan Rakhbari.- Tehran: The Almighty. 1382hijra. – 556 pp.
7. Mirzobid Sayido Nasafi. Selected Works. - Dushanbe: Cognition, 1977. – 704 pp.
8. Afsahov A. Ikhom// Encyclopedia of Tajik Literature and Culture. V.1. - Dushanbe, 1988. – 583 pp.
9. Sayido Nasafi. Collection of Compositions. Commentaries by A. Afsahzod and A. Djonfido. – Dushanbe. – Knowledge: 1990. - 469 pp.
10. Mirzoyunus M. The Candle of Ornation. (about the Life and Creation of Makhasti). – Khujand: Editor, 2001. – 324 pp.