Thegenreofmunozirisadebateordisputebetweentwoopponents, theoriginofwhichdatesbacktothepre-Islamicpeople. One of the most important symbolic treatises of the famous representative of the Oli Khujand dynasty (Khujand dynasty) in Isfahan, Soinuddin Ali ibn Muhammad Khujandi Isfahani (1369-1433), better known as Ibn Turk, composed in the genre of munozira (dispute, debate) between a feast (bazm) is analyzed and in battle (size). In a small work, each of the disputing parties tries to prove its superiority at the royal court. It is noted that the feast and battle are symbols of revelation (kashf) and reason (istidlol). The tradition of composing prose munozir goes back to the work of the prominent 11th century mystic Ansori Hiravi. To prove their own rightness and superiority, the disputing parties cite Quranic verses, fragments from the tradition of the prophet, and poetic quotes in Tajik and Arabic. It is emphasized that in the 15th century the composition of the munozir received special development, as evidenced by Orifi’s “Gui and Chavgon”, “Shamu parvona Ruhi Yozari”, “Aklu ishk” by Nazlobodi.
history of Tajik literature of the XIV-XV centuries, Soinuddin Khujandi Isfahani, Oli Khujand, debate (munozira), revelation and reason, mysticism
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