0.0/5 rating (0 votes)

Style and Means of Imaginative Depiction in the Poetry of Mirzolatif Rakhim-zade

Avtors

Ikromova Marifat Iskandarovna

Abstract

The article dwells on the analysis of the literary productions belonging to one of scantily known Tajik poets Mirzolatif Rakhim-zade (1902-1967) being a representative of the literary circles  of Kulob-city. The style and means of imaginative depiction resorted to by the poet are canvassed  for the first time. Proceeding from the traditions of Tajik literary criticism the author of the article proves that Mirzolatif Rakhim-zade is a successor of the great  classics  of the Persian-Tajik literature. He created multitude of poems imitating the  genre of a gazel developed by Khofiz Sherozi, Kamoli Khujandi, Abdurakhmon Jami, Bedil, Khodja Khusayni Kangurti, Zafarkhon Javkhari. The creation  of Khofiz and Javkhari caused an especial inspiration of his. Exploring the means of imaginative  depiction applied by Rakhim-zade the researcher  adduces a lot of examples to illustrate the usage  of various belles-lettres devices among which there    are such ones as metaphor, epithet, allegory, antithesis and others.

Keywords

Mirzolatif Rakhim-zade, Kulob literary  circles, belles-lettres devices, Tajik-Persian poetry, imitation

References

1.       Rakhim-zade, M. Happy Hour. Introduction and preparation of the  text by Ali Mukhammadi. – Dushanbe: Adib, 1994. – 176pp.

2.       Khodizoda R., Shukurov M., Abdujabborov T. The Dictionary of Literary Criticism Terms. – Dushanbe: Irfon, 1966. – 188 pp.

3.       Javkhari, Z. Selected works. – Dushanbe: Surushan, 2002. – 360 pp.

4.       Sherozi, Kh. Collection of Poems. Introduction and preparation of the text by Jamshed Ahanbe-zade. – Dushanbe: Irfon, 1983. – 172 pp.

Sherozi, Kh. Divan “Lison-yl-gaib”: Introduction and compilation by Ahmad Muzokhid. – Tehran, 1337 hijra. – 1000 pp

Publication date

Monday, 03 August 2015